Probably, so I’ll see your naked wet body and hard nipples through it. 🤷🏻‍♂️

Oh no, I’m so sorry

That’s still very sad

😞😢

Tell me why?

Was there something specific that triggered it?

I’m really sad you were going through this quietly. I wish you had come to me sooner. I didn’t know any of this was going on.

I’m going to breakfast but I’d like to connect with you about this later

Farmers market.

It was very hard not buying some chicks. 🐣 Especially the black and gray ones. One had a Mohawk. 🥰

Hey. How are you doing?

Who?

Oh my god! Is she ok?

Let me know if you need help with them.

I’m sorry. 😞

How is she?

Why!? 😭

Well, they say bad things come in threes so hopefully that’s it and you can relax

Ong.

Are they tasty

I’ve been thinking a lot about what I want if I ever commit to a full tattoo project, and I think it’s finally starting to come together. The more I think about it, the less I want a bunch of individual tattoos and the more I want one connected piece of art that tells a story across my body.

The project would start on my left pectoral with the head of a massive direwolf that naturally transitions into a full sleeve. I don’t want the wolf to look aggressive or angry. I want it to feel calm, confident, and ancient. More like a guardian than a predator. Something powerful enough that it doesn’t need to prove it.

The sleeve would revolve around a woman inspired by Lady Justice. She’d be blindfolded, not because she’s helpless, but because she represents conviction, trust, discipline, and devotion. Instead of traditional robes or armor, she’d wear a simple leather collar with a chain disappearing naturally into the composition. It wouldn’t be the focus. It would just be one part of the story.

Watching over the scene would be a raven, representing wisdom, intelligence, mystery, and observation. Woven throughout the artwork would be subtle rope and knotwork inspired by shibari, hidden naturally within the design so they look like part of the artwork instead of obvious symbols. I also like the idea of weathered chains or old iron hardware appearing here and there, but only where they serve the composition rather than feeling like random objects.

Eventually everything would continue into a full back piece. I’m imagining an ancient old-growth forest with towering pines, dense fog, moonlight filtering through the trees, roots twisting over massive stones, and forgotten ruins that nature has slowly reclaimed. I want it to feel timeless, almost sacred, like a place that has existed forever.

Originally I thought about another direwolf on the back, but I think I’ve changed my mind. I love the idea of a massive mature bull elk standing silently in a clearing with enormous antlers while the direwolf is almost hidden among the trees, quietly watching over the forest. The wolf represents protection, strength, loyalty, and leadership. The elk represents nobility, patience, resilience, and quiet confidence. Neither one is dominating the other. They simply exist together in the same ancient world.

The more I think about it, the more I want every major piece to represent an archetype instead of just looking cool.

The direwolf is the guardian.

The woman is conviction, discipline, trust, and devotion.

The raven is wisdom and observation.

The elk is nobility, patience, and calm power.

The forest is permanence, mystery, growth, and the unknown.

The ruins represent legacy and endurance.

The rope, chain, and knotwork become symbols of commitment, responsibility, connection, and restraint instead of simply objects.

What I love most is the idea that someone could see it and simply think it’s a beautiful piece of art. Then, the longer they looked, the more they’d discover. A hidden knot. A chain disappearing into shadow. The raven tucked into the trees. The wolf you didn’t notice at first. Every time you looked, you’d find another layer.

I don’t want it to feel like fantasy just for the sake of fantasy, and I don’t want it to feel overtly symbolic either. I want it to feel like dark mythology. Like an ancient story carved into skin where every element has a purpose, even if only I know the entire story.

I don’t want a sleeve, a chest piece, and a back piece.

I want an entire world that happens to be painted across my body.

Yeah I figured 20k-50K

Thus no tattoos yet

These are the tattoo artists I’m planning to study the most. I think they’re some of the best in the world for the style I’m going for.

Carlos Torres
https://www.instagram.com/carlostorresart/

Fábio Guerreiro (Houston)
https://www.instagram.com/fabio_guerreiro_tattoo/

Etgar Oak (Austin)
https://www.instagram.com/etgaroak/

Stefano Alcantara
https://www.instagram.com/stefanoalcantara/

Nikko Hurtado
https://www.instagram.com/nikkohurtado/

Jose Lopez
https://www.instagram.com/joselopez_lowridertattoo/

If you have some time, I’d love for each of you to scroll through their work and tell me which artist speaks to you the most and why. Don’t focus on the individual tattoos. Pay attention to the mood, composition, lighting, storytelling, and how each artist makes you feel. I’m much more interested in creating one cohesive work of art than collecting individual tattoos, so I’d love to hear what stands out to you.

Which red flags

Oh shit. That’s clean!

Which ones

I love this he might be my favorite.

This is cool

It does seem like maybe he’s trying to cram too much detail in there and that would be heels just mushes together

I love it. Strawberry fish next to your BooBee?

You could put it on your pubic mound

Cmon don’t be a party pooper Rex, Be a PartySaurus Rex

I’m crashing. Youve been a good girl.

I’m going to bed.

Sorry. Falling asleep. You have been a very good girl. I know today was tough. I’m proud of you.